Arrival and the meal
Background music from the door, at a level people can talk over, and quiet on cue for the Selkirk Grace. We are set up and sound-checked before your first guest arrives.
Burns Night
The formal part of a Burns Supper runs itself — the Grace, the Address, the Immortal Memory, the toasts. What decides whether people stay is what happens once the tables are cleared. We do that half: a called ceilidh nobody needs to have practised for, a DJ after it on the same kit, and microphones for everyone who has to stand up before then.
Background music from the door, at a level people can talk over, and quiet on cue for the Selkirk Grace. We are set up and sound-checked before your first guest arrives.
A microphone for the top table is included, and a roving mic can be added if the Address, the Toast to the Lassies and the Reply are coming from different corners of the room.
Live, and called from the stage — every dance walked through before the music starts. Usually from around half nine, once the tables are back and the coffee has been round.
The disco runs on the same PA, so there is no changeover and no flat twenty minutes while a second act loads in. Requests welcome.
That is the common shape, not a fixed one. Send us your running order and we will work to it.
£650
standard evening
£750
standard evening
£850
standard evening
£950
standard evening
£1,200
standard evening
£1,500
standard evening
£1,800
standard evening
£2,100
standard evening
A Burns Supper is a standard evening like any other — there is no separate January price list. Full package detail and the optional extras are on the packages page.
The traditional opener. Couples, four steps forward, four back — it gets the whole room on the floor in one go without anyone having to remember anything.
How it goes →Threes, so the table that came as five and the table that came as seven both work. It mixes the room up as it goes, which is the point at a supper.
How it goes →The one everybody has heard of and the one they will talk about. Best kept until the meal has settled — it is the most energetic thing in the set.
How it goes →Gentle, progressive and forgiving. A good landing point late on, or a good first dance for a room that is nervous about the whole idea.
How it goes →The set is built around your room on the night. All the dances we call.
Burns Night is the one weeknight in the year that behaves like a Saturday. The 25th itself goes regardless of which day it falls on, and the Saturday nearest it is the single most requested date in our calendar — in Ayrshire, where Burns was born, suppers fill the whole back half of the month and that Saturday goes a year out. If you are reading this in the autumn, you are in good time. If you are reading it in December, check the date now rather than in the new year.
The one thing worth checking before you book anything is whether the tables move. A ceilidh needs a clear run down the middle of the room more than it needs a big stage, and a hall laid out for a hundred diners is not laid out for a Strip the Willow. Most hotels and clubs turn the room around over coffee without being asked. If yours cannot, tell us and we will call dances that work on the floor you have — that is a different set, chosen in advance, not something to discover at half nine.
Extras that come up most often for suppers are a roving microphone, an early setup where the room is needed for a rehearsal, and extra performance time when the speeches have run long. They are on the booking form.
Earlier than most things. The Saturday nearest the 25th of January is the most requested date in our year, and in Ayrshire — Burns country — it goes first of all. A year ahead is not over-cautious. Weeknights in the back half of January are easier, but the good ones still go by the autumn.
No — we are the ceilidh band and DJ. The piping, the Address, the Immortal Memory and the toasts are yours to arrange, and most clubs, hotels and companies already have their own people for them. What we do provide is the sound they all need: a microphone for the top table comes as standard, and a roving mic can be added if speakers are getting up from around the room.
Yes. Background music through the meal is normally handled on the DJ side of the kit, at a level you can talk over, and then the ceilidh starts once the tables are cleared and the speeches are done. It is the same PA either way, so there is no gap while anything is set up.
Tell us the running order and we will work to it. A common shape is background music from arrival, everything quiet for the Selkirk Grace, the haggis and the speeches, then the ceilidh from about half past nine with a DJ set after it. If the speeches overrun — and they do — we would rather stretch the DJ than cut the dancing short, but that is your call on the night.
It is the normal case, and the format is built for it. Every dance is called and walked through from the stage before the music starts, so nobody needs to have done it before or to have practised. Beginners are the default, not the exception.
A ceilidh needs floor space more than it needs stage space — a Strip the Willow wants a clear run down the middle of the room. If the tables cannot be moved or pushed back after the meal, say so early and we will suggest dances that suit a smaller floor rather than turning up and finding out.
We are based in Perth and cover Scotland. Travel within 100 miles of Perth is included in the package price; beyond that there is a contribution towards travel, and occasionally an overnight for the far north and west. The booking form gives you an indicative figure and Garry confirms the real one.
Anything else, ask Garry — or see the general FAQ.
Home base. The rehearsal room, the kit store and the shortest load-in we do.
Free travel within 100 miles of Perth · further afield, always clearly quoted up front
January books early